New Start

I'm off on some new work. As usual I'm excited and ready for the challenge. Best to enjoy that while I can:) This is the first of a series I plan on doing that will incorporate figures with more interior elements. As always I'm going to try and stay a little looser in the beginning of my painting and try not to get too fussy too early.

I've been thinking about where I want this work to go. For reference I think I'll be revisiting a piece I did a few years back for The National Labor Foundation. I thought the piece was fairly successful and I rather enjoyed working on it.

Here I scanned and blew up my thumbnail with is actually about 1.5 x 2" so that I would have a larger image to look at when posing my model and shooting reference.

I normally like to save time and loosely transfer my thumbnail onto the paper and proceed with the final drawing. However, there were enough anatomical things that were bugging me that I felt the need to work out my refined drawing separately prior to transferring. I actually made even more adjustments in photoshop after scanning in the final.  Was it worth it?  I hope so.

This piece is in it's infancy and I'm just beginning to refine the face. Stay tuned for more.

Last Embrace

by Eric Fortune

Here are some of the last work in progress shots leading up to the final.  When starting a new piece of art we try to work out most of our problems in the preliminary stages.  However,  after taking reference, finalizing our drawings and adding some paint in things do change.  I'm constantly stepping back and reevaluating the work as I go.

One thing that bothered me after I had got pretty far into the painting is that my eyes kept sliding off the left side of the piece.  I think this was because of some strong directional elements, the arrow shape the legs make with the knees pointing left, and the opening on the left side of the figure.  After having some time to rest my eyes it seems that the line work in the original sketch is probably what helped to keep my eyes from drifting off so much.  Because my line work in the final is much less apparent it didn't have the same effect.

While consumed by a work of art being objective can be difficult. Yet it's needed to solve problems that arise.  We look at the work in the mirror, on screen, upside down etc.  Sometimes we send it to peers for some feedback.  Eventually, I pulled this piece into photoshop and tried a few things that seemed to keep my eyes from sliding of the page.  I started by darkening the area of the background behind where the figures knees are.  I wanted to have the effect of a warm spot light so instead of just using black I used a warmer reddish gray which darkens and adds some chroma at the same time.  I added in an extra branch on the left and extended a more obscured branch on the far left of the paper up and out as well.  Hopefully, this will help to keep the viewers eyes more contained within the piece.

If you'd like to see the original, this piece and one other of mine will be at the Jonathan LeVine Summer Invitational Show opening next Wednesday.